The Pacemakers (Concert Overture)

This work was commissioned in 1970 for a brass band championship sponsored by WD and HO Wills, whose slogan was The Pacemakers. The title was added after the work was finished and has nothing to do with the content or character of the piece which, as Paul Hindmarsh remarks, is ‘arguably the most satisfying in purely musical terms of all of Gregson’s early compositions for band’.

The Overture is cast in a sonata form exposition, with a slow central section, giving the opportunity for expressive cornet and euphonium solos. The final section begins with a strict fugal exposition which …

Read More

Horn Concerto

Composed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson’s music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, Béla Bartók; an admirable economy of means; and the clarity of his scoring.

Each of the Concerto’s three movements displays a different facet of the French Horn’s character. The first is serious, symphonic in impulse, the …

Read More

Voices of Youth

The suite Voices of Youth is one of Gregson’s very earliest brass band scores, written while he was still a student at the Royal Academy of Music in London. It marked the start of a series of pieces which appeared under the R Smith imprint (one of the oldest brass band publishers in the UK) and which effectively made his name. Voices of Youth was commissioned by the National Youth Brass Band of Great Britain and was premiered by them under the baton of Geoffrey Brand. It was surely no coincidence that he was also the inspiration behind Gregson’s R …

Read More

March Prelude

March Prelude was commissioned to launch the new brass band series by the publisher Novello, in 1968. What makes this little piece different from the usual march is that in the trio section the time signatures change constantly. The main tune of the March is recognisably modal but the harmony surrounding it takes it away from that world.…

Read More